A lot of versatility - you could turn the midrange off or turn the bass off or the treble, it used active filters. You could turn it all the way off, so you had ultimate control. But John largely remained with the one Coliseum Lead/one Coliseum Bass each on one Sunn 4×12/1×18 stack through December 1971.Ĭonrad Sundholm (of Sunn), on the Sunn Coliseum bass amp ( from the Sunn Shack ( archived):īut the Coliseum series, that included the bass amp used by the Who, was a unique preamp circuit because each of the tone controls was a separate preamp. 1971, an additional Coliseum Bass amp was used. Two Sunn 4×12 cabinets, some fitted with Bob Heil’s Ye Old Music Shop of Marissa, Illinois, badges or one Sunn 4×12 with one Hiwatt SE4123 4×12 cabinetĪt the Oval Kennington, 18 Sept.John Entwistle began using the first iteration of his Sunn rig at this time, what eventually became a 1,200-watt system, designed by Bob Heil, who also designed the Who’s first Sunn PA for the Who’s next tour. 1971, with Sunn Coliseum Bass and Sunn Coliseum Lead heads, two Sunn 4×12s and two Sunn 1×18s. Laminated pickguard with finger grip and “Thunderbird” logo on bottom boutĬa.Two humbucking pickups, two volume/one tone controls.Nickel-plated pickup covers, bridge cover and finger rest.Mahogany through neck, with rosewood fretboard.Honduras mahogany body in “reverse body”-style (bottom bout longer than top bout), sunburst finish.I go backwards and forwards like that all the time.” Specs Eventually I found that I had developed a new playing style, then discovered Alembic basses and went back to playing with treble. So I changed to Sunn Colosseum power amps and a German preamp called a Stremp, and took up with the Thunderbirds. I felt I was getting stuck in a rut, using all the treble. “…by ‘ Quadrophenia’ and Who By Numbers I was playing Gibson Thunderbirds. John: “Once you turn up the treble on a Precision, the bottom drops out.” “In big arenas, I wasn’t getting enough bottom end from the P-Basses when I had the treble all the way up.” From April 1994 Bassist interview On display through October 2019 at the Play It Loud Exhibition at the Metropolitan Museum of Art in New York.160065 (impressed to rear of headstock), in mahogany. Used at least two one accidentally destroyed by Keith Moon while exiting stage at Forest Hills in July 1971, breaking the neck off and John subsequently smashed it to pieces.Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Gianniniīy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. Scan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |